Lydia Nsiah

2018

  • "Photofilmic Time Machines", in: European Society for the History of Photography (ed.), PhotoResearcher No. 29

2016

  • in collaboration with Sema Colpan, "More than Product Advertising: Animation, Gasparcolor and Sorela's Corporate Design, in: Patrick Vonderau/Bo Florin/Nico de Klerk (ed.), Films that Sell: Moving Pictures and Advertising, London/New York: Palgrave.

2015

  • Ephemeral Places, in: Adjacent Realities (Exhibition Catalogue), Austrian Cultural Forum London
  • "Das geht alles wieder weg!" – Ein Werbefilm in Eastmancolor", Series "Die Rückseite des Films", derstandard.at
  • "Elizabeth Taylors Make-up-Tests für "A Little Night Music", Series "Die Rückseite des Films", derstandard.at
  • "Konsum in den 1960ern: Per Selbstbedienung zum "Menschen von heute", Series "Die Rückseite des Films", derstandard.at
  • "Plötzlich bewegten sich die Bilder: Lebende Skulpturen aus dem Jahr 1910", Series "Die Rückseite des Films", derstandard.at

2014

2013

  • "Final Cuts" (Exhibition Text).
  • in collaboration with Joachim Schätz, "Avant-garde and Convention? Two (advertising) Filmmakers", in: Margarete Jahrmann/Brigitte Felderer (ed.), Play & Prosume. Schleichende Werbung und schnelle Avantgarde (Technology, Exchange and Flow – Exhibition Catalogue), Nuremberg: Verlag für moderne Kunst.

2012

2011

 

Under Review

  • "Advertising Rhythm. Hans Richter, Abstraction, and the Everyday", in: Transtechnology Research Open Access Papers, Plymouth.